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Sunset at Head of the Meadow Beach, Truro, Cape Cod, Massachusetts.
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More information about Head of the Meadow Beach.
Photo taken by ChristineMM, August 2007. Photo taken with existing light feature with flash shut off.
Come read and see what I am doing to explore, create and play at making art.
My thoughts:
My goal was to capture the rock wall, the ferns, and the trees behind that wall, and of course, the road leading to the pasture. I was limited in my ability to take many vantage points as there was a big ugly metal gate blocking the way. I could not shoot the photo from many angles or get any closer than I already was. I could not take it from further back as the ugly gate would have been in my way. I didn't think that the ugly gate would add beauty to the image at all. If it were an old, time-aged wooden gate, perhaps, but the gate was metal and shiny and industrial looking.
After I got home and viewed the images on a larger scale, I saw other things in the photo and these are my thoughts.
In the first photo that I took. In the first photo the focus is on the road. They eye meanders down the road which leads to a pasture. You see both sides of the farm road. Did you notice much about the rock wall and the ferns growing alongside the wall? Proabably not, instead you wonder where the road leads. I was standing up to take this photo. Although my goal was to capture the rock wall well, I felt the rock wall was a bit lost in this image.
So I took the second image by squatting down at the end of the gate, closer to the rock wall. At the time I took this what I wanted to capture was the rock wall itself and the ferns with the sunlight coming through the ferns. I wanted the road in the image. In this photo my eye is drawn to the rock wall, not the road, and my eye goes down the length of the rock wall. However the very tiny hint of the left border of the road is somehow bothersome to my eye, it is not balanced enough, so I don't love this image after all.
Now that I am home and viewing the larger images with scrutiny, my favorite is the first photo.
So much for the rock wall as focal point idea as being the goal and the 'better idea'.
Which is your favorite?
By the way this is also an example of squeezing art in where we can make it. While doing an errand I pulled into a side road to take a photo of a tree on the main road, and happened to notice this on the side road, about 30 feet from the main road I've driven on maybe 75 times, something I'd never known was there. It took just a couple of minutes to take these photos (and some others).
Photos taken by ChristineMM, New Fairfield, Connecticut, late September 2007.
TL: About a year and a half ago, I fell and am now paralyzed from the neck down. So, there is a whole dimension to my life that is going on completely apart from my work, and that actually takes up more time than my work. There is a lot of profit in that because a lot of the things that I neglected because I was so busy, I now am sort of going back over and picking up pieces that I’d never known existed before that are now becoming a big part of my life. My wife and I are kind of re-inventing our marriage, and that is pretty exciting. And in lots of ways, it is much closer to the stuff that really means something in life, although my work is really important to me.
Interviewer: Do you think you would have been able to reinvent yourself in this way, if this accident had not happened, is this something that you woud have done on your own or does this have to be kind of forced upon you in some way.
TL: No, I would never have done this on my own. This was like full stop, re-start in a whole new direction. And for the most part, I think it has actually been a better direction. It sounds crazy, to be completely paralyzed and sort of thinking, array, it is not like that. I mean, in a sense, as we get older we get more paralyzed, as our joints give out and our muscles get weaker, and eventually we die. This has been a real shock and a true kind of awakening.
Interviewer: (paraphrased) As you move forward…how is it changing the work and the creativity that you bring to your work?
TL: He goes on to say that he now works with his son and his major work is creating and designing and he no longer works with the installation part of the projects and makes a comment that he gets to do the fun creating part and someone else has to worry about how to duplicate that in real life during the installation process.
Tom Luckey replies: I’ve got the exact answer. Don’t stop, work your way along the wall until you find the little crack in it that you can fit yourself through. There is a wall in the world around the sort of the secret garden that you need to get into to make a living and to have an audience and be fulfilled, and you have to work your way along that wall. There are really no shortcuts. Because I think you really need to learn the lessons of the garden that you are trying to get into, which is really just where you can do what you want to do and get paid for it. You learn it by working your way along that wall and you have to do that. And don’t stop. If you just get it in your head that you are nto going to stop, then eventually you will get there, and it takes a long time.
"Joseph Cornell is one of America’s most innovative modern artists, known for his distinctive box sculptures, collages and experimental films that continue to influence many artists, writers, poets, filmmakers and designers. Co-organized by PEM and The Smithsonian American Art Museum (SAAM) and curated by PEM chief curator, Lynda Hartigan, the exhibition represents the first major retrospective of this American master in 26 years. It features 180 of Cornell’s artworks—making PEM the largest venue for this touring exhibition, including 30 pieces on public view for the first time. Works in Navigating the Imagination were borrowed from an international array of public and private collections. The exhibition travels to San Francisco Museum of Modern Art (Oct. 6, 2007--Jan. 6, 2008)."